Chancellor of Soul's Chronicles-Journals Dedicated To The
Historical Preservation Of R&B, Pop and It's Artists and Music


Billy Stewart

Many stylists come with a distinctive ability to rise upon their musical mannerisms. This particular artist became known as one of Chicago's great bandwagon of legendary soul.

brrrrrrrrrrrrrr......raaap....Mr. Billy Stewart !

Born on March 24, 1937 in Washington D.C. Billy grew up in a musical family, joining his mother's group the Stewart Gospel Singers, in his teens. He won a local talent show singing George Gershwin's 'Summertime' while performing with his uncle and bandleader Houn'
Dog' Ruffin.

While appearing at a concert in D.C. Billy was discovered by Bo Diddley and invited him to join his band. He spent a few years on the road with Bo developing his talents on the organ, bass and drums. He got an opportunity to record for Chess Records because of his association with Diddley and cut his first single for the label entitled ‘Billy’s Blues (Pt’s 1 & 2)’ in 1956, featuring Bo on guitar.

Inspired by his love of calypso music, Billy developed a new concept style of singing that later became his trademark in R&B called ‘word-doubling’ introduced for the first time on ‘Billy’s Blues Pt 2'

Billy began his association with other local groups in Washington including the Marquees (featuring a young Marvin Gaye) and the Rainbows. In 1957, Billy signed with Okeh Records and cut ' Baby You're My Only Love' with the Marquees providing background harmony. It sank without a trace.

In 1961, Billy was back on Chess and struck up a friendship with A&R man Billy Davis and a songwriting producer partnership would evolve. Known to his friends as 'fat boy' Billy Davis asked Stewart to compose tune based on his nickname. In January of 1962, Billy recorded 'Fat Boy' along with 'Reap What You Sow' (released in May 1962) charting 18 # R&B with (backing provided by the Four Jewels) ‘Wedding Bells’ (with the Four Jewels) b/w ‘True Fine Lovin' (Oct 1962) and ‘Oh My What Can The Matter Be' (with the Four Jewels) b/w ‘Scrambler’ (an instrumental April 1963).

In Sept of 1963, Billy charted with ‘Strange Feeling’ b/w ‘Sugar And Spice’. More Chess singles would follow in 1964 with ‘Count Me Out’ b/w ‘A Fat Boy Can Cry’ (March 1964) and 'My Sweet Senora' b/w 'Tell It Like It Is' (not the Aaron Neville recording). Billy’s incorporation of a lonely man trying to find the right woman to love became traditional in his skills of composing tunes.

On Monday, December 14, 1964 Billy recorded two masterpiece ballads that brought him international fame, ‘I Do Love You’ b/w ‘Keep Loving ‘and ‘Sitting In The Park b/w ‘Once Again’. ‘I Do Love You’ climbed to the No 6 spot on the R&B singles on April 3, 1965 for 21 weeks. 'Sitting In The Park' b/w Once Again' hit No 4 the week ending July 31, 1965 R&B. The classic opening ‘guitar riff was courtesy of Pete Cosey. A self-titled mono LP ' I Do Love You' (release date July 1965) hit 4 on the top selling R&B LP charts the week ending Saturday, August 21, 1965. A rare stereo alternate version of 'I Do Love You' has become a rare find among the record collectors. The uncredit background singers on ‘I Do Love You’ were Famon Johnson of the group the Cairo's (Shrine Records) and William Britt.

Billy’s extensive touring became almost impossible for him to return to the studio because he said it paid the bills more than receiving royalties. In September 1965, Chess issued Billy's 10th single, the beautiful and haunting 'How Nice It Is' b/w ' No Girl' and 'Because
I Love You' b/w 'Mountain of Love' (Dec 1965) and ‘Why I’m I Lonely’ b/w ‘Love Me (my personal favorite) in May of 66’.

In an attempt to attract a mainstream pop audience, Billy Davis thought of the idea of Stewart doing an album of standards in his vocal style. Billy reach back to a song that won him a local contest as a teenager, the 'Porgy and Bess' classic ' Summertime'. The session took place on Wednesday, October 6, 1965, featuring the regular Chess players, Louis Satterfield on bass, Pete Cosey on guitar, Sonny Thompson on piano, and Maurice White (of Earth Wind & Fire fame) on drums. Art Hoyle, Paul Serrano and John Howell, on trumpets. John Avant, Julian Priester, Morris Ellis on trombones. Bunky Green on alto sax, Johnny Board on tenor sax, Rubin Cooper on baritone sax and Bryce Robertson on guitar.

‘Summertime’ released in June 1966, hit No 7 R&B the week ending Sept 10, 1966 and No. 10 Pop Aug 27. the song proved to be the biggest hit of his career. An album of standards entitled, ‘Unbelievable’ was released during the fall of 66’. Billy’s follow up ‘Secret Love’ charted No. 11 R&B the week ending Saturday, Nov 26, 1966. Another album of standards, ‘Billy Stewart Teaches Old Standards New Tricks’

(Jan 1967) failed to capture record buyers. His next single 'Everyday I Have The Blues' b/w 'Ol Man River' (background provide by the Dells) charted No 45 R&B Feb 18, 1967. In early 1968, Billy would return with the mystical ‘Cross My Heart’ (backed by the Dells) b/w ‘Why (Do I Love You So)’ (No. 34 Feb 24, 1968). ‘Tell Me the Truth’ b/w ‘What Have I Done’ was became his last appearance on Billboard (No 48 R&B July 27, 1968).

‘I’m In Love (Oh Yes I Am) b/w 'Crazy About You Baby' and ' By The Time I Get To Phoenix' b/w 'We'll Always Be Together' were his last releases on Chess in the spring of 69'.

Billy was involved in a motorcycle accident in 1969, plus prior to this setback, his battle with diabetes had increased and owner of Chess Records, Leonard Chess died of a heart attack. He continued to write music and tour the country. The soul community was stunned to learn that Billy Stewart and three members of his band were killed in the hours of Saturday January 17, 1970 after his car plunged off the bridge into a river in North Carolina. He was 33.

Billy Stewart’s music was one again appreciated with a new generation of soul fans in the late 70's when legendary Bronx band GQ (originally called the Rhythm Makers) recorded remakes of ' I Do Love You' b/w 'Make My Dream A Reality' and 'Sitting In The Park' b/w 'It's
Like That' both hit top ten in 1979 and 80'. Singer Bobby Thurston remade 'Sitting In The Park' on his debut LP in the spring of 1980.

Billy Stewart’s music will continue to shine through the power of it's musical rays as long as we continue to support the body of work laid down by his talented genius.

Billy…..we do still love you……cross our hearts.

                                                       Soulfully Yours,

                                                        Mike Boone

                                                   (Chancellor of Soul)

                                                      (August 2006)

Materials should not be used or altered without expresses permission of the author, Mike Boone (Chancellor of Soul)




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